SHOWS

 

Choreographic piece for 6 dancers, Bach and the art of fugue
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Salia Sanou has a dream, a dream of the collective in which the weprevails over the I, a dream of a reconciled humanity that would ban the domination of people and bodies forever.
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In a dialogue with figures dear to Salia Sanou : three successive duos, with writer Nancy Huston, dancer and teacher Germaine Acogny, and musician David Babian, aka Babx,
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In this creation, inspired by dance workshops he conducted in African refugee camps, Salia Sanou asks himself about the theme of exile.
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On stage, fighting is in the place of honor. Sport and ritual, mainstay of African culture. Intimidation, display. Bodies clash.
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The mirror. A self image and its unseenpart. The constant and unchanging combination of reality and our imagination.
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Every political belief is related to a personal commitment. Beyond artistic borders, Salia Sanou opens this dialogue at the heart of his process of creation. 
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Princess street memories is based upon the participation of all dancers. Beginners, professionals and laypersons.
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The choreographers Salia Sanou and Seydou Boro have chosen to entrust their choreographic piece Figninto (l’oeil troué) to three young dancers and choreographers that they themselves trained. In this way, the transmission takes on a double meaning…
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Kawral initiates the encounter of two apparently very distant artistic worlds: the musical universe of the Mâäk collective (European band led by Laurent Blondiau) meets five Burkinabe dancers, choreographed by Salia Sanou…
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An Daniel Buren’s art installation. A buckets of water-covered stage. Two bodies, supported one on top of the other, to move ahead on a chosen path.
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To dare dancing for yourself. After dancing for so long with the others. This resolutely intimate show is an introspection of memory, tlifting the veil on the Sanou’s childhood.
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Everything seems taken for granted. Suddenly, in a split second, everything is turned upside down. The ground we stand on falls from under our feet. A devastating storm leave us helpless.
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